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Billboard Gigolo

Deuce Bigalow European Gigolo movie poster

Deuce Bigalow European Gigolo movie poster

Rating Outdoor Billboards

As we mentioned previously, posters for the just released comedy Deuce Bigalow: European Gigolo embrace the time-honored tradition of the phallic symbol as a means of advertising. The city of Los Angeles being an industry town, drivers in Southern California are treated to some interesting film advertising billboards in this vein. This includes an “animated” outdoor billboard for Deuce Bigalow: European Gigolo:

For anyone still in danger of missing the point, one version of the sign on Sunset Boulevard has the crooked tower swinging up and down in the wind, presumably from flaccid to erect.

Deuce Bigalow European Gigolo movie poster

Deuce Bigalow European Gigolo billboard

Nothing subtle about that. But the focus of the above mentioned New York Times article is the lead time required by outdoor advertising means billboards go up before a film gets it’s final rating. This is seen as a loophole by some to allow film marketing to target underage viewers without giving their parents ratings information.

“The sweet spot for an R-rated comedy is the 15-to-17-year-old range.”

Considering no parent gets their ratings information about films by driving down Sunset Boulevard and looking at billboards, this seems like a pointless complaint. The only goal for any outdoor film advertising is to pass what is known in the industry as the “40 Mile Per Hour Rule”:

Are you able to identify the movie in the ad and read the film’s title while driving by it at 40 miles per hour?

In the article, Adam Fogelson, president of marketing for Universal, slows the rule down to “35 miles per hour”, but he’s obviously driving too slow.

Buy Deuce Bigalow movie posters at: AllPosters, eBay, MoviePosterShop.com, Amazon

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One Comment

  1. Reading Between the Lines « Posterwire.com « the movie poster weblogJune 2, 2008 at 11:48 AMReply

    […] of Fury and Mr. Woodcock are here to add to that growing list. Of course, invoking imagery of said male gentilia as a visual pun in film advertising is nothing […]

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