Comments on: Got Mona?

By: Mridu sajil

Mridu sajil — Mon, 20 Apr 2009 19:17:03 +0000

Great work what an expression what does her smile convey pain disgust or happines it is quite mysterious and unrevealed whatever the commercial aspect behind the picture is undoubtly this is one of the romantic work of Di caprio

By: greish

greish — Mon, 23 Mar 2009 20:10:48 +0000

lol to funiiii:)

By: P

Fri, 30 Dec 2005 20:40:03 +0000

Suggestive picture… uneasy feeling.. The whole Davinci thing is going to make someone alot of money alright!!Ride that horse ya.ll

By: Criterion :: DiseÃ±o grÃ¡fico y editorial, recursos y enlaces de utilidad ::

Criterion :: DiseÃ±o grÃ¡fico y editorial, recursos y enlaces de utilidad :: — Tue, 17 May 2005 10:38:43 +0000

[...] dependientemente de ello, me parece un buen trabajo, sencillo pero muy efectivo. Gracias a Posterwire por la noticia.

Escrito en: DÃa a dÃa

[...]

By: April

April — Sun, 15 May 2005 21:14:20 +0000

The “curling” part is what I really didn’t like about it too. I didn’t even read it as that before you explained it and I couldn’t figure out what was going on.. it just looked like a strange little random tornado.

By: benjamin

benjamin — Wed, 11 May 2005 15:39:15 +0000

I love it! very neat look!

By: Patrick

Patrick — Tue, 10 May 2005 19:30:19 +0000

I like the concept of the ‘hidden code’ on the backside of the Mona Lisa but I’m not too keen on the execution. The location, upward curvature, and texture of the page curl all seem a bit off. And it also gives the impression that the curled painting gives way to the floating movie title text underneath.

The movie title logo itself is a bit weird too. The red dividing lines separates the title into “The” “Da Vinci” “Code” instead of “The” “Da Vinci Code”. The logo works fine without the red lines.

I must be grumpy today – need to get some more coffee.

By: Ben

Ben — Tue, 10 May 2005 11:45:26 +0000

Tom Hanks? What happened to Harrison Ford? Or am I confused agian?

By: Julius

Julius — Tue, 10 May 2005 03:25:02 +0000

I usually enjoy the *very* early poster designs studios put out for major flicks, as the creative departments aren’t locked into any style guidelines at this stage and are free to play with the concept and frankly, be creative.

This seems to be no exception and IMHO I think it works really well. In particular, I like the close-up textures of the cracked paint and code/parchment.